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Ballet Luminary Matthew Ball on Grueling Parts and Online Attention: 'I'm Not Precious About My Body'

Within the hushed ambiance of a lounge near London's prestigious dance company, Matthew Ball requests a mint tea. His carriage is effortlessly upright, his arms defined beneath a plain tee. On stage, ballet dancers can seem like powerful gods, yet often offstage they are small. Not so Ball, whose tall stature is one reason for his popularity for princely characters and partnering. Possessing fine traits and piercing eyes, there's a hint of Robert Pattinson about him.

A Seamless Rise to the Top

At 31, Ball is enjoying the peak of a career that has advanced smoothly. Growing up in Liverpool, he encountered little teasing for his early interest in ballet. Entering the Royal Ballet School at 11, he graduated straight into the troupe and was promoted annually, reaching the highest position of lead dancer in 2018. He has relished taking on substantial characters, particularly the psychological turmoil found in a famed choreographer's ballets.

"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."

Ball's next featured appearance is as himself, in an "Evening With" series aiming to offer behind-the-scenes insights into a dancer's art. He will walk the crowd through a part, showing his mental process while execution. Even in more comedic works, the test is significant. "Don Quixote is one of the toughest technically," he notes.

The Psychological Struggle and After the Show Feelings

What about following a performance, when he has pulled it off? "It's pretty good," he admits. "However because I'm trying to squeeze all the emotion out of it, and get immersed in the character, frequently I do feel embarrassed later. Following an intense role I'm always thinking: God, what must people think?"

In person, Ball is thoughtful, mild-mannered, and prone to laugh at himself. Yet a dance maker previously remarked on a "kind of suffering in him." Is there? "I'm quite active in general, but I do have a dark side," he confesses. "I somewhat enjoy negativity sometimes. I've always felt that doubt has been an catalyst for good change."

Early Drivers and Artistic Inspirations

His tenacity stemmed from youthful experiences. Not doing well in competitions at school made him "vengeful!" This became fuel to prove he could succeed. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit obsessive," he recalls.

The next challenge is making his own choreography. In his view, "there's nothing wrong with." "Breaking the conventions is compelling, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be filled with meaning, drawing ideas from literature, music, and art.

Close-Up Dance and Private Partnership

He also is interested in staging dance in smaller spaces. "It was just really thrilling," he says of a past experience. "You’re so close to the viewers. I felt as if they were thinking: 'That’s a human, and they’re sweating.'"

Ball has created pieces with his girlfriend, fellow lead dancer Mayara Magri. The level of trust between them is clear. "We first practiced on a beach," he says of a daring lift. "It was like Dirty Dancing." They aren’t typically matched on stage at their main theater, which might be healthy. "We’re both quite strong-willed people, so it’s not always smooth sailing," he notes. "But I feel like we’re each other’s favorite cheerleader."

On Social Media and Physical Perception

On Instagram, followers can see videos from his dance films and images that highlight a athletic physique. Does he mind that the engagement can be a bit objectifying? Not really. "The body is just what we use, so I don’t feel very precious about it," he explains. He relates it to viewing Michelangelo’s David—something that can be seen on various levels.

Ball describes his younger self as "desperate for success." Has it lived up to his hopes? "I am conscious of how life is a different thing to the dreams you made as a child," he muses. He likely has about decade of performing left. "I suppose in the time to come, I want to be a bit more kind with myself."

About the author

Kimberly Smith

Tech journalist and researcher specializing in emerging technologies and their societal impact.

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